For information on placing an order, or licensing images for commercial use, contact Casavaria's Arts editors at: art.design@casavaria.com |
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Sitges |
Anemone |
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Giacometti |
Burg Eltz |
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Sevilla
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Heliotropes |
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Alcázar
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Cochem
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Louise Öder |
Teknos |
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Crucecaminos |
L'Opera |
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Zamora
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Gamla Stån |
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Alacant
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Traveling
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If you are interested in purchasing the full collection on CD-Rom, exclusively for personal decorative and viewing purposes, or if you wish to learn about licensing the photos for commercial or creative purposes, contact the artist through Casavaria, at the following e-mail address: art.design@casavaria.com
Casavaria Art Online | Joseph Robertson Main Gallery | Top ^
From the forthcoming collection of essays, Cave Painting...
The film The Hours is not about what most people seem to think. The common wisdom is that this is a film about a writer, and about the effects of her writing over time... or else that it's about an emotional struggle that is transferred from person to person through a series of more or less tenuous or intimate relationships... or that it has to do with the victimization of innocent and fragile souls by a harsh and careless world. But I think it probes much deeper than any of the above crises, and touches a fundamental problem of human equilibrium, that is, an existential balance based in the enigma of an elusive raison d'être. [Full Text]
AVEDON'S PREGNANT SELVES:
RICHARD AVEDON'S PORTRAITS AT THE MET
Avedon's work itself seems to be structured around a fundamental 'island place' of individual being. The subject is starkly portrayed, in silence and asymmetry, against the abstraction of a white background. The whole of an individual's life experience seems visible through the features into which he or she has developed by way of that experience. [Full Text]
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