CASAVARIA ART POSTCARDS, PRICING:
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Mediterranean View :: Alicante, Spain
© 2002 Joseph Robertson


Café Breakfast :: Ramstein, Germany
© 2002 Joseph Robertson


Orientation, Sublime :: Cochem, Germany
© 2002 Joseph Robertson


Hibiscus :: Caliraya, Philippines
© 1999 Joseph Robertson


Paseo marítimo - Cadaqués, Spain
© 2001 Joseph Robertson


Aurora arquitectónica :: Toronto, Canada
© 2000 Joseph Robertson


Intimacy :: Fair Haven, New Jersey
© 1998 Joseph Robertson

 
Angelsong :: Málaga, Spain
© 2002 Joseph Robertson


Gamla Stan :: Stockholm , Sweden
© 2002 Joseph Robertson


Arcos sagaces :: Barcelona, Spain
© 2002 Joseph Robertson


In Potentia :: Anilao, Philippines
© 1999 Joseph Robertson


Font of Solitude, Alcázar :: Sevilla, Spain
© 2001 Joseph Robertson


Temporal Shift :: Manhattan, New York
© 1998 Joseph Robertson


Voile et poesie :: Paris, France
© 1996 Joseph Robertson

 
Exploration :: Sitges, Spain
© 2002 Joseph Robertson


Lush Enclosure :: Girona, Spain
© 2002 Joseph Robertson


Strolling Timeless :: Girona, Spain
© 2002 Joseph Robertson


Umbracle :: Valencia, Spain
© 2002 Joseph Robertson


Routemaster to Golders Green :: London, UK
© 2004 Joseph Robertson


In Another Life :: Red Bank, New Jersey
© 1998 Joseph Robertson


Spanish Steps :: Rome, Italy
© 1996 Joseph Robertson

Postcards also available by contributing artist, Kevin Clous...

From the forthcoming collection of essays, Cave Painting...

RESORT TO BEAUTY
ON THE VALUE OF EXPERIENTIAL BEAUTY IN RESOLVING CONFLICT

Beauty, though mysterious, undefinable, even variable according to subjective experience, is woven into every aspect of life and lived experience. Maybe it is the poet's province alone to take on the burden of working this through, seeing it always, being aware of the most menial, severe and terrible beauties. But the poet's work has resonance because it conjures up a latent awareness of improbable charms, hidden among the tortuous threadwork, the causeways of consciousness. [Full Text]

"THE HOURS" & THE MOMENT

The film The Hours is not about what most people seem to think. The common wisdom is that this is a film about a writer, and about the effects of her writing over time... or else that it's about an emotional struggle that is transferred from person to person through a series of more or less tenuous or intimate relationships... or that it has to do with the victimization of innocent and fragile souls by a harsh and careless world. But I think it probes much deeper than any of the above crises, and touches a fundamental problem of human equilibrium, that is, an existential balance based in the enigma of an elusive raison d'être. [Full Text]

AVEDON'S PREGNANT SELVES:
RICHARD AVEDON'S PORTRAITS AT THE MET

Avedon's work itself seems to be structured around a fundamental 'island place' of individual being. The subject is starkly portrayed, in silence and asymmetry, against the abstraction of a white background. The whole of an individual's life experience seems visible through the features into which he or she has developed by way of that experience. [Full Text]

CAVE PAINTING
ON THE MAKING OF MEANING

It is the simplest construction: the color seeps in, a single shade mixing with the varied and ancient qualities of the rock. Texture is born. The act redefines the full gamut of existence. It says we are here, and we are made of presence, and we are aware, and we can articulate experience. The expressed fact and the existent being come together. Civilization is begun. [Full Text]

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Casavaria celebra el cuarto centenario de la novela El ingenioso hidalgo Don Quijote de la Mancha, con una edición de la primera parte (primavera 2005) y otra de la segunda parte (primavera 2006)...

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The photography and artwork of Joseph Robertson inform the entire Casavaria project, as part of an ongoing effort to provide a unique richness of texture, atmosphere and significance...
Photography
:: Aspirations of Memory
:: Delicate Vessels
:: A Season of Azure
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ART » JOSEPH ROBERTSON » Original Postcards