August 17, 2008 :: AlexS :: One Comment
THE LAST YAK, PANGOLIN’S TEATIME, PLEASANCE DOME
****
Pangolin’s Teatime are a young Edinburgh-based puppet theatre company, who in 2007 picked up a clutch of awards at the National Student Drama Festival for their previous work Haozkla. This year they return to the Fringe with a new original production, and have created a thoughtful, mature fairy tale about power, reality and the magic of belief. With lovingly handcrafted masks and puppets, some rod, some glove, and a flair for storytelling, this is a beautifully thought-through work that should appeal to adult and child alike.
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August 17, 2008 :: AlexS :: Comments Off
TALKING HEADS PLUS, GEMS OF MAZAL, THE MEADOWS
***
Alan Bennett is much admired and much performed, but his characters are currently being given voice in a more unusual setting than he is probably used to. Stop by the Sainsbury’s Local on the Meadows this Fringe at around 6pm, and you’re likely to be greeted by a group of twentysomethings milling about, a skateboard doing the rounds, chirpily singing songs, before one of them begins narrating an excerpt of what sounds like Roald Dahl in a heightened voice. As he starts his speech, the company sets off down Middle Meadow Walk into the greenery, trailing an audience behind them. This is Talking Heads Plus, combining Bennett’s much-loved pieces with works by other authors, and claiming to bring the monologue form to life as you’ve never seen before.
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August 14, 2008 :: AlexS :: Comments Off
SCARAMOUCHE JONES, GUY MASTERSON TTI, ASSEMBLY SUPPER ROOM
*****
Justin Butcher is a man of many talents. Not content with penning a sumptuous script, full of wonder, lyricism, evocative imagery and beautifully crafted turns of phrase, as a performer he also keeps the audience wrapped in his spell for an hour and a half, never slackening or flagging. It’s an extraordinary achievement, and Scaramouche Jones is as delightful, funny, moving and thoughtful a Fringe show as could be hoped for.
More on page 575
August 14, 2008 :: AlexS :: Comments Off
TITUS ANDRONICUS, ACTION TO THE WORD, C VENUE
***
Fringe productions of Shakespeare are usually best approached with caution. Everyone wants to have a go and show their mettle, and the temptation to add their own mark to the works by offering a “reinterpretation” often begs for disaster – Hamlet in space, perhaps, or The Tempest re-enacted as a Marxist parable of the evils of modern society. Occasionally it’s a spectacular success, as with the Midsummer-Night’s-Dream-in-a-roller-disco of The Donkey Show, a recent Edinburgh Fringe smash hit that went on to a run in London’s West End and from there to New York. The list of equally spectacular failures stretches on into the middle distance. Cambridge University-born company Action to the Word’s version of Titus Andronicus falls squarely between these two stools, passing the test with, if not a distinction, then enough merit to be shared round the sizeable cast, without ever really breaking any new ground.
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